Late Roman Horse Archers - Equites Secundo Sagittarii

This is the last full unit to use up my old 1980s figures and the last cavalry unit for this army. 

The basic figure for the riders is an Asgard (later Table Top Games and now Alternative Armies' Isarus range) LRC1 Late Roman Horse Archer. As usual with figures of that vintage, there was only one variant so, to get more variety, I did a couple of head swaps from spare helmeted figures and made typical late Roman round hats for three more from Milliput. I'm not sure why they are all holding their bows in their right hands - unless they really are all left handed it seems an awkward way of doing things.

I modified the cloaks too - in some cases I just filed bits off but for others I made new folds from Milliput. It all adds to the variety and I think if the cloaks and heads are varied it looks less strange that there is only one pose.

One of the 8 had been damaged so I cut him off at the waist and replaced the top half with that from a G7 Goth Archer Advancing. It would have been good to have one or two more changed like this to a completely different pose but was such a fiddly job that I left it at just the one. I think the grey blob on the horses tail must be from a bit of plasticine that I used to hold the figure whilst the epoxy dried. It disappeared in the pre-painting detergent wash anyhow.

The other modification I made was the shields. The basic figure has a very small round shield with a textured sort of surface, a bit like those 1970s pub tables with a hammered copper top. I wanted to paint the shields with one of the designs attributed to Equites Sagittari in the Notitia Dignitatum so needed something a bit bigger with a boss. After early attempts at cutting or punching circles of plasticard, I requisitioned some small sequins from my wife's sewing supplies and used those. I roughed the surface up with sandpaper and made the shield bosses from Milliput. The sequins are thin (about 0.2 mm) but I guess that is actually more realistic than cast shields that scale to about 4" thick!

As with my other Late Roman mounted  units, the horses are a mix of Minifigs and Asgard and I accepted the odd mix of walking and galloping poses in the interest of variety. By this stage, I was really scraping the barrel for usable figures so had to make new tails for a couple of horses where the original cast tail snapped off in the the process of removing old, badly applied paint.

The white of the painted shield design is my standard off-white Vallejo sequence of Khaki Grey, Iraqi Sand and Ivory. I really like the warm effect this gives but in this case I think it was a mistake as being too close (or identical) to the white of most of the tunics and not enough of a contrast to the yellow of the shield rims. A grey or grey-blue sequence might have been a better choice.

The one thing I really wasn't happy about with this unit was the horse colours. I've been trying to get a bit more variety and some of these just haven't worked out well. I'll need to have a proper re-think of this before I tackle any more cavalry units but, as this is the last one for this army then Normandy 1944 is next in the queue, there is no urgency.

Late Roman sub-general

 

This command element is a real mix: a Gladiator Games one-piece casting for the general, a modified Minifigs heavy cavalryman carrying the vexillum and a Minifigs trumpeter on a horse I found in my scrap and spares box.

The original premise of this army was to make productive use of figures I had bought dating back to the 1980s. By this stage the leadpile is rather depleted and I'm having to either make do and mend or order new "old figures" in penny packets with prohibitively high postage costs, rather negating the original point. The vexillum bearer is a good example of this. I had a couple of Minifigs heavy cavalry where the hand holding the lance had broken off in clumsy attempts to drill through it back in the day. I repaired this by drilling into the arm, making a loop of thin steel wire (from a wire brush) to secure the vexillum shaft then making a new hand from Milliput. The hand is a bit too big and lacking in detail but doesn't look too obvious on the finished item. I soldered the cross-piece, made the vexillum from aluminium foil and the disc with a  slice from a circular piece of plastic.

To secure the shield on the ground (the colour denoting what category of commander), after some problems with the army general, I initially tried a piece of the flexible magnet that I use for bases but such a small piece didn't give a strong enough attractive force so I reverted to a rare earth magnet, even though these are too strong. I don't suppose I'll be swapping the shield colours round that much really.

I need at least one more sub-general. Although I have bought the necessary figures for two command bases from Legio Heroica, along with my last two infantry units, at the moment I'm inclined to stick with the 1980s recycled theme and make something up with whatever figures I have left over.

Late Roman Camp

 

I struggled for a while to think of how to depict a fortified camp for my Romans. Although there are some excellent castings of classic Roman camps fortifications and tents available, these never look right to me when the constraints of a 120 x 80mm base leaves space for only one or two tents - hardly enough for a patrol let alone a whole army! I considered just doing one corner of the camp or a gatehouse but that only really works if the camp is placed against a table edge.

Of course the camp doesn't need to be a literal camp - just something to represent logistics or something of consequence if captured by the enemy. In the case of a fortified camp, it also needs to look defensible. Whilst browsing for ideas, I came across this picture of a reconstructed Roman watchtower on Wikimedia Commons by Longbow4u under a creative commons licence.

So I decided to make my camp a scene around a roman watchtower based on this one. Apparently it was later realised that Roman watchtowers had an extra story - it must be said that the reconstruction looks rather stubby and not likely to provide a very good vantage point but stubby was good for my purposes as I wanted the complete camp to fit in a Useful Box with the rest of the army.

My start point for construction was a couple of 40x40mm laser-cut MDF bases as floors, two more as sides for the lower story and two 40x30mm bases as sides for the top story. I cut the other sides by hand from 2mm MDF then drilled holes for the rounded tops of the arched windows and door. The floors and roof were cut from mount board and the main base unit, again, was laser-cut MDG, backed with self-adhesive magnetic sheet from Magnetic Displays.

To populate the scene around the tower, I bought the pig-roast set from Baueda and re-purposed a couple of standard bearers (chosen because they were not carrying shields): a stocky Asgard figure in a round hat to act as the cooking supervisor and a standard bearer from Gladiator Miniatures, repurposed as an auxiliary infantryman who'd set his shield aside, to look out from the viewing platform. The Baueda figures have short-sleeved tunics so I modified them with a bit of filing and Miliput to have long sleeves to match with my other auxiliary infantry.

And there I stalled for a long time. 

Two obstacles: a ladder to provide access to the platform and how to make the characteristic X-shaped railings? 

I ran through various ideas for the railings, none of which seemed practical but the eventual solution was quite easy. I cut the rails and uprights from 1mm square section plastic and glued them together on a carefully drawn template. For the Xs , I cut a trip of 0.7mm Plasticard, scribed it off to the correct height with the sharp corner of my vernier calipers, drew on the X and cut it out with a sharp knife. It sounds a faff but it really was quite easy, if repetitive.

The ladders arrives in a pack of two long lengths from Plastruct - gives me some spare to be left in Normandy orchards, barns or wherever. The side rails on the ladders are very thick so I thinned them down considerably before painting.

The roof tiles are the last of the Wills Pantiles, that I used for my Italian Wars buildings. Flushed with enthusiasm, I ordered another pack with future ideas of renaissance towers and 4th C basilica. The ridge tiles are bamboo barbecue skewers with a V sanded onto one side and thin saw cuts 3 or 4 mm apart on the other then whittled to give the appearance of overlapping tiles.

I used my usual buildings technique of sticking on small rectangles cut from old business cards to represent stone blocks then gave the wall and roof surfaces a wash over of dilute filler to add texture and smooth out the sharp corners. 

As I mentioned, I wanted the finished camp to fit in a Really Useful box and even with this "one story short of a tower" reconstruction, that wasn't possible so I decided to split the roof off, attached with magnetic sheets into a square recess.

I paint pantile roofs with a tester pot of terracotta textures masonry paint. Next, I pick out individual tiles in contrasting tones of browns and greens. At this stage, it has far too much contrast but it all works out in the end. The next step is a wash of black Humbrol enamel and white spirit then finally (done after the photo below) a dry brush of the original masonry paint to blend it all back in 

I follow a similar process for the walls but with even more dry brushing. After an initial coat of DecoArt Country Maple, I dry brush Antique Gold (actually a yellow ochre) and Sandstone before picking out individual "stones" in different shades of brown, grey and green then more dry brushing with gradually lighter tones to blend it all back. There is no particular logic to the colour variations but the earlier buildings I did without this step just looked a bit plain.

The base is covered with the same combination of filler, grit, sand, static grass and tufts that I use for all my figure and scenery basing.

As well as the figures and pig roast set, I made a couple of spears and shields and discarded helmet from a spare Minifigs figure, as though the two cooks had set their weapons aside for a while whilst they prepare the food for the rest of their colleagues in the Petulantes Seniores.